![]() The process of witnessing clothes cut from the body elicited a range of responses from the audience. The artist remained still and silent until she was down to only her underwear. ![]() She invited audience members to cut pieces of her clothing off using the scissors. Ono wore one of her best suits and knelt on the stage holding a pair of scissors. Remarkably, however, she persisted in sustaining a career that was well-established before Lennon’s arrival on the scene, and which deserves to be admired in its own right.īody, Clothes, and Scissors (Performance piece)Ī landmark work, and one of the artist’s best-known, Cut Piece was presented at the Sogetsu Art Center, the same Tokyo venue that had hosted her Bag Piece. For brief periods, the media’s intrusive presence stopped her from working altogether. Ono faced the considerable challenge of remaining visible as an artist, not just a rock star’s wife. In Cloud Piece (1963) for example, she instructs us to imagine digging a hole in the garden, and putting clouds into it. Many of her works consist merely of instructions. With unprecedented radicalism, she rejected the idea that an artwork must be a material object. Drawing from an array of sources from Zen Buddhism to Dada, her pieces were some of the movement’s earliest and most daring. Well before her famous partnership with John Lennon, Yoko Ono was the “High Priestess of the Happening” and a pioneer in performance art. Yoko Ono (born February 18, 1933) is a Japanese multimedia artist, singer, songwriter, and peace activist who is also known for her work in performance art and filmmaking.
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